(eBook PDF) Student Workbook to Accompany Graduate Review of Tonal Theory – Digital Ebook – Instant Delivery Download
product details:
- ISBN-10 : 9780195376999
- ISBN-13 : 978-01953
This Student Workbook accompanies Graduate Review of Tonal Theory. Authors Steven G. Laitz and Christopher Bartlette have devised sixty one diverse exercise sets that correlate with material in the text. These assignments include writing and analytical exercises that enable students to further integrate harmony and counterpoint through visual and aural tasks. These exercises begin at the introductory level and progress incrementally in difficulty and complexity. There is also a separate section of keyboard activities at the end of the workbook.
Designed to accommodate graduate review courses of various lengths, the workbook’s assignments are numbered discretely, leaving instructors free to adapt the workbook to best suit their courses. A DVD packaged with the text features recordings by students and faculty from the Eastman School of Music. Icons in the workbook indicate which examples are recorded and where to find them on the DVD; there is also a full track listing at the end of the textbook. The nearly four hours of excerpts and complete pieces on the DVD provide students and instructors with immediate access to hundreds of examples drawn from more than three centuries of music.
table of contents:
Chapter 1: Musical Time and Space
Chapter 2: Harnessing Musical Time and Space
Chapter 3: Making Choices: When Harmony, Melody, and Rhythm Merge
Chapter 4: Composition and Analysis: Using I, V, and V7
Chapter 5: Contrapuntal Expansions of Tonic and Dominant
Chapter 6: A New Harmonic Function; Additional Melodic and Harmonic Embellishments
Chapter 7: Six Four Chords, Non-Dominant Seventh Chords, and Refining the Phrase Model
Chapter 8: The Submediant and Mediant
Chapter 9: The Period, Double Period, and Sentence
Chapter 10: Harmonic Sequences: Concepts and Patterns
Chapter 11: Applied Chords
Chapter 12: Modulation and Binary Form
Chapter 13: Expressive Chromaticism: Modal Mixture and Chromatic Tonicization
Chapter 14: The Neapolitan and Augmented Sixth Chords
Chapter 15: Ternary and Sonata Forms
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