(eBook PDF) Music for Analysis: Examples from the Common Practice Period and the Twentieth Century 8th Edition – Digital Ebook – Instant Delivery Download
Product details:
- ISBN-10 : 0190620757
- ISBN-13 : 978-0190620752
- Author: Thomas Benjamin, Michael Horvit, Timothy Koozin, Robert Nelson
Offering 477 pieces of music from the Baroque period to the present, Music for Analysis, Eighth Edition, is the most comprehensive anthology of its kind. The book is organized by music theory concept, so it can easily be linked to any introductory theory course. The authors do not prescribe any system of analysis, allowing individual instructors to follow their own preferences with their students. Ample room for student work eliminates the need for a separate workbook or to purchase score paper.
Table contents:
1. Tonic Triad
2. Dominant Triad in Root Position
3. Dominant Seventh and Ninth in Root Position
4. Subdominant Triad in Root Position
5. Cadential Tonic Six-Four Chord
6. Tonic, Subdominant, and Dominant Triads in First Inversion
7. Supertonic Triad
8. Inversions of the Dominant Seventh Chord
9. Linear (Embellishing) Six-Four Chords
10. Submediant and Mediant Triads
11. Leading Tone Triad
12. Variant Qualities of Diatonic Triads
13. Supertonic Seventh Chord
14. Leading Tone Seventh Chord
15. Other Diatonic Seventh Chords
16. Complete Pieces for Analysis I
17. Secondary (Applied, Borrowed) Dominants
18. Modulation to Closely Related Keys
19. Complete Pieces for Analysis II
20. Linear (Embellishing) Diminished Seventh Chords
21. Neapolitan Triad
22. Augmented Sixth Chords, Submediant Degree as Lowest
23. Augmented Sixth Chords, Other Scale Degrees as Lowest Note
24. Augmented Sixth Chords, Other Uses
25. Other Means of Modulation
26. Ninth Chords
27. Extended Linear Usages
28. Complete Pieces for Analysis III
29. Examples of Counterpoint
30. Extended and Altered Tertian Harmony
31. Diatonic (Church) Modes
32. Pandiatonicism and Additive Harmony
33. Exotic (Arti.cial, Synthetic) Scales
34. Quartal and Secundal Harmony
35. Polyharmony and Polytonality
36. Free Atonality
37. Twelve-Tone Serialism
38. Music Since 1945
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